Microfiction-The Sandcastle

Timmy dragged his father’s big sledgehammer across the back yard to the sandbox.

In his dad’s scrap-pile, he found a two-foot length of rebar. He posted it in the sand.

The boy strained to lift the sledge. Tink tink tink, the rebar sank until six inches protruded.

He upended a bucket of sand over the steel then lifted the bucket away, leaving a smooth, tall tower. He added walls, moats, battlements.

Johnny rounded the corner and spied the sandcastle. His eyes lit up evilly. “Nice sandcastle, nerd,” he said, as he wound back for a mighty kick.

Books That Stole My Heart, Part Two: John Steakley’s Vampires

 

john-steakley-vampiresDid you ever read a book that was so good it made you angry? Where you finish a chapter, or a paragraph, or even a sentence, and you have to pause for a moment, thinking what the hell, man, what the hell?

It happens more often than I’d like to admit. But as somebody who just finished writing a pulpy action horror novel about a vampire hunter, I got to experience that very special mixture of envy and awe that occurs when somebody else already did what you’re trying to do, but better. It’s like if you’ve been trying to get the lid off a pickle jar for an hour, and somebody just walks along and nonchalantly twists that sucker right off. What the hell, man?

Vampires by John Steakley is the story of Jack Crow, the leader of Vampire$ inc, a team of mercenary bad-asses who kill vampires for a living. The book was adapted into the movie John Carpenter’s Vampires, but as always, the book was better.

The novel begins with Crow and his team plying their trade, clearing out a nest of vampires in a small town in the midwestern United States. Then they get really drunk. In the midst of their celebration, they’re ambushed by a master vampire who slaughters all but Crow and one other member of his team.

To fill the gaps in their roster, they recruit a young priest sent by the Vatican (I prefer to write about secular vampires, but the religious element was very well done in this book. The Pope is a supporting character, and that’s all I’m going to say) and a deadly gunfighter named Felix.

vampires-team-crow
John Carpenter’s Vampires. A decent flick, but read the book.

Crow, broken and tortured by the loss of his team, continues on a near suicidal pursuit of his mission. Armed with crosses and silver bullets, they go out and get revenge.

Steakley writes like the bastard love-child of Ernest Hemingway and Cormac McCarthy. His writing is Spartan: spare, terse, and punchy. Never a wasted word. He has a knack for pacing, his restrained use of punctuation turning his action scenes into pure stream-of-consciousness bad-assery.

Felix’s first two shots, like the deputy’s, struck Roy. But while Kirk’s hit Roy’s Chest, Felix’s slammed into his forehead. And while Kirk’s were .44 magnum hollowpoints, they were only lead. Felix’s were nine-millimeter silver blessed by the Vicar of Christ on Earth and they tore half-inch-wide holes through the skull. Roy shrieked and smacked his hands over the wounds and fell writhing to the pavement.

What the hell, man.

Steakley’s characters, his tortured, flawed, terrified crew of vampire hunters, go past action hero cliches. He nails their inner conflict, their fatalism, their hopelessness coupled with their sense of duty and righteousness as they carry on with a mission that they know will probably kill them in the end.

John Steakley unfortunately only wrote two novels in his lifetime, Armor and Vampires. I read Armor first, and was utterly blown away. I will put my right hand on a copy of The Forever War and swear that Armor is one of the finest works of military sci-fi I’ve ever read. Despite that, I didn’t even know Vampires existed until the name ‘Steakley’ jumped out at me from the spine of a book at a used bookstore. Imagine my excitement.

 

 

Vampire Hunter’s Playlist-“Run On” by Elvis Presley

Alex Rains, the protagonist of my upcoming action/horror thriller The Devil’s Mouth, has an unhealthy fascination with 1950s Americana. So, just to set the mood, I’m occasionally going to post some of the music that Alex has playing on his iPod while he hacks vampires to pieces with a samurai sword.

First up, “Run On” by Elvis Presley, released on RCA records in 1967. This spiritual was also recorded by Johnny Cash under the title “God’s Gonna Cut You Down.”

This song’s up-tempo, driving beat is just the sort of thing to listen to when you’re cutting down bloodthirsty hell-fiends.

Pick up a free preview of “The Devil’s Mouth” by clicking right here.

Free ebook preview-The Devil’s Mouth

sneakpreview

Alex Rains loves three things in this world: Rock and Roll music, fast cars, and killing vampires.

Carmen Carranza is a tough lady cop who’ll do whatever it takes to find her missing sister.

When their paths cross, they team up and leave a trail of corpses across the desert as they hunt an ancient evil preying on migrants in the American Southwest…

Hey you guys, I’m really excited to be offering a free preview of my upcoming thriller/horror novel The Devil’s Mouth, the first book of the Alex Rains, Vampire Hunter series. Right below, you’ll find download links for the first three chapters, and I’ll even throw in the prologue at no extra charge.

I’ve been polishing this particular turd to a glossy sheen for quite a while now, and I’m really happy to be able to start sharing it with the world. So please, download your free preview, enjoy, and tell me what you think!

The full version should be available on the Kindle store sometime in April.

Please note, these are quick-and-dirty home-brew ebook conversions, and I can’t guarantee that the formatting is perfect. Bear with me.

The Devil’s Mouth Preview (.pdf)

The Devil’s Mouth Preview for Kindle (.mobi)

The Devil’s Mouth Preview for epub (.epub)

 

 

That one time when I almost died in a fiery explosion

I was a real hell-raiser as a kid. A really exciting Friday night for me was going over to my friend Pete’s house, then we’d get in his Mustang and drive from our shitty little town to a shitty medium-size town that had a Blockbuster Video. We’d pick out a few movies on VHS, load up on candy and soda, maybe get a pizza, then drive back to Pete’s house. Then we’d eat junk food and watch bad movies on Pete’s tiny TV, the TV and the VCR sitting on the floor in Pete’s room and us sitting on the floor in front of it. Good times. No, really. Those were some good times.

BlockbusterVideoLA
Something something 90s kids.

Sometimes I get nostalgic about Blockbuster and I regret their demise. But then I remember the time when they sent me to collections over a twelve dollar late fee, and I realize that the jerks probably had it coming.

But anyway, back to the part where I almost died. We’d just left Pete’s house, him driving his Mustang, (just to correct your mental picture here, this was The Worst Mustang Ever Created, an anemic mid-80s shoebox-on-wheels, white with red vinyl upholstery) pulling onto the freeway. He was trying to get his car up to speed, but the car (probably a minivan; Pete hated and still hates minivans) in front of us put on its brakes. “What the crap!” said Pete, and swerved into the fast lane to pass the offending vehicle.

But then the minivan swerved into the fast lane, nearly clipping Pete. “Asshole!” he yelled, and swerved back into the slow lane.

And there, in the middle of the lane, was a shiny red gas can. Obviously, in retrospect, what the minivan was swerving to avoid.

The helpful co-driver that I am, I pointed and screamed, “Gas can!”

It was too late to do anything. Wham! Crunch! The metal gas can disappeared under Pete’s car. It caught on the undercarriage, and we could hear it scraping against the pavement. Font of wisdom that I am, I screamed, “Stop stop stop!”

Jerrycan
LPT: Don’t run these over. It sucks.

Pete merged over to the center median and stopped the car. I got out and went to take a look. The metal gas can was hopelessly mangled, folded up under the car and wedged there. Friction from being dragged over asphalt at freeway speed had ground the corner off, and I saw a trail of gasoline following us down the median and across the freeway to where the collision had occurred.

And then came one of those moments that if I’d seen it in a movie, I would have called it too unrealistic. I don’t know if it was the exhaust from the car, a spark from a passing semi, or simply the puckish sense of humor of a bored god, but at that moment the trail of gasoline ignited. I watched in horror while this tongue of flame crept towards Pete’s Mustang and the gas can wedged underneath it.

“Go go go!” I screamed, always full of good advice.

Pete floored it. Which didn’t do much in his Mustang, but still. The car surged forward, the gas can still grinding on the pavement, the advancing trail of flaming gasoline just feet from his back bumper. Meanwhile, I danced around frantically, trying to stomp out the flames, or to rub away enough fuel to interrupt the makeshift fuse following Pete’s car down the shoulder of the highway. It didn’t work, and I kept running ahead a few more feet to get in front of the flames.

I wish I had a better ending for the story. Something involving heroics. An immense fireball. A fistfight. Paratroopers. A moment of truth where our protagonists rise above their problems and save the day. But no. The gas can ran out of gas, and the trail of gasoline ran dry. At that same moment, some good Samaritan pulled his car over and jumped out with a fire extinguisher. We, and the Mustang, were safe.

We pried the gas can out from under the car. It looked like a smashed beer can. We took a moment to compose ourselves, then we went to Blockbuster and rented Hell Comes to Frogtown and Big Trouble in Little China. We stopped at the Safeway and picked up a half pound of sour gummy worms and some potato chips. Then we went home and watched some movies.

Good times.

Short Story-Five Cats

The notification popped up on Karen’s facebook feed, alongside a little cartoon heart:

John Roberts is now in a relationship with Rebecca Owen.

Karen’s stomach gave an all-too-familiar lurch, twisting itself into a knot and leaving a hollow, aching pit. Suddenly the dish of sliced apples which she’d carefully peanut-buttered and arranged on a plate didn’t look appetizing. She sat numbly, one clammy hand on the mouse, the other flat on the table.

She let out a jagged breath. There it was. John had moved on. Why couldn’t she?

Karen stood up and stumbled away from the computer. That low ache, the bitter melange of hurt, regret and jealousy, churned in her belly. She wanted to curl up on the floor and cry.

No, god-damn it. No more crying. She went out to the porch.

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Books that stole my heart, part one: Dune

Frank Herbert’s Dune, fifty years after its first publication, still stands as one of the giants of science fiction, and rightly so. I could go on at length about the social and political import of this book, but others have done it before me, and better. So I’ll share my more personal experience.

duneA long, long, long time ago, when I was in high school, my experience with science fiction was largely limited to Star Trek on TV, Star Wars paperbacks, and Voltron. I mean, don’t get me wrong, there’s nothing wrong with Star Wars. Except for the prequels. I digress.

In my sophmore English class, there were the remnants of a class set of Dune books. These four or five identical paperbacks had been coated in contact paper and stamped on the inner cover with the high school’s name. They were falling apart, and had been repaired several times over with tape. Unfortunately, whatever English class they were for, it wasn’t my English class. These books sat unused on the back shelf, very near where I sat.

One day our teacher, Mr. Phillips (whose awesomeness deserves a whole separate blog post) wasn’t there, and we had a substitute. Whatever we were doing that day was horribly boring, so out of desperation I picked up this tattered old paperback with a funky seventies cover. Those first words caught me like a marlin on a gaff hook.

A beginning is the time for taking the most delicate care that the balances are correct. This every sister of the Bene Gesserit knows. To begin your study of the life of Maud’Dib, then, take care that you first place him in his time; born in the 57th year of the Padishah Emperor, Shaddam IV…

I’m sorry, Mr. Phillips. I stole that book. I stole it so hard. I still had it until just a year or two ago, when it finally disintegrated. I think I read it in three days, skipping minor annoyances like schoolwork and sleep. Then I went to the library and found the sequel.

sting
Dune the movie was…entertaining… but doesn’t hold a candle to the book.

Dune was my gateway drug into the best of Golden Age sci-fi, the world of Heinlin, Asimov, Clark, and Philip K. Dick. Dune hit me like a brick upside the head. It was so… grown up. The intelligence of the plot, the subtlety of the character’s interactions. (a feint within a feint within a feint) Superheroes whose powers came from nothing more than discipline and training. The massive, coherent, sprawling galaxy, so different from the laser-pistols-and-warp-drives fare I’d known until that point, so intricately layered, so flawlessly executed. Its portrayal of a deep, nuanced interstallar economy, and subtle galactic feudalism that Star Wars could only pretend to. And yet, unlike many other intellectually rich sci-fi novels I’ve come across, it was still a damned page-turner.

I’m realizing that I could go on for far, far longer about how much I love this book, and how it shaped my views of so many things: economics, ecology, politics, power… but I’ll end now, with one of the many gems that have stayed with me through the years.

Arrakis teaches the attitude of the knife – chopping off what’s incomplete and saying: ‘Now, it’s complete because it’s ended here.’

 

 

Normal people don’t get excited about this kind of thing.

Grammar is a lot like sex: I think it’s really awesome, even if I’m not that good at it. But grammar is even better than sex in that I can always go back afterwords and fix my mistakes. Also, I get more chances to practice grammar.

Although the Internet gives me instant access to the entirety of human knowledge, I still get a warm, fuzzy feeling from having a well-stocked reference shelf.

CMSSo I bought the grammar Bible. The punctuation Necronomicon. The syntax Kama Sutra. The Chicago Manual of Style.

It’s all in there. Ellipsis or em dash? Italics or quotation marks? When to hyphenate? Aw, yeah. I’ve got all the answers. I’m not saying I’ll go to the trouble of finding the answers, for, let’s say, some dumb blog post about a book I just bought. But it’s good to know I could look up all the answers if I really wanted to.