Six Word Fiction Day

Inspired by a few other bloggers, also too lazy to write a full blog post today, I’m gonna try out this whole six word fiction thing. Here goes nothin’…

***

Then the world exploded. The end.

***

“Shouldn’t have left the baby there…”

***

“My love is the sea. And heroin.”

Author’s note: Oops, this is seven words. Let me try that again.

“My lover is the sea. Lion.”

***

“Cut the red wire, right?” Boom.

***

The applause turned to horrified screams.

***

He spread his wings and died.

***

“Oh my God he ate it.”

***

“You’re bluffing.”

“Afraid not.”

“Well, shit.”

***

“I wasn’t completely honest with you…”

***

“But flipping off cops is legal!”

THE DEVIL’S MOUTH Update: Soon.

Well hello there, reader! Just a quick update on the progress of my soon-to-be-released book, The Devil’s Mouth

But first I’d like to say, “soon” is one of those words that quickly loses all meaning when you read it too many times. Soon. Soon. Soon soon soon. Soooooon….

Okay, anyway. I’ve just received the first proof of the Kindle version of The Devil’s Mouth, (My soon-to-be-released supernatural action-horror novel) and I must say it’s looking sharp. If I hadn’t already read it like ten thousand times at this point, I would definitely want to buy it.

So, I’m reading through it one more time, making sure the formatting is okay. And I’m also making a list of blogs and websites that review this sort of thing, in anticipation of its Kindle release, which will likely be later this month. Exciting!

If anybody would like to suggest a book review blog or website, (of which there are a bewildering variety) please let me know down in the comments or shoot me an email. And if any of my loyal readers are interested in an advance copy for review, that could possibly be arranged…

 

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Oh baby, you look so good to me right now…

I hate engines-a rant

Warning: The following is a bitter, rambling, disjointed rant. I really can’t suggest that you read it.

I hate engines. I hate ’em. They’re loud, obnoxious, cantankerous, smelly, foul, smoke belching little assholes. They eat fossilized hydrocarbons and they spit out greenhouse gasses and carcinogenic particulate matter. They’re literally killing us. I look forward to the near future, when we’ve switched over to electric cars, and the thought of a gasoline powered car is looked at with mild disgust and horror. How did people ever live like that? our children will say, as they step out of their self-driving electric car to go to the museum of motor vehicles, where they’ll probably stand inside some kind of special pollution chamber in order to smell what the early twenty-first century smelled like.

All of this occurred to me as I was trying to drink a cup of coffee and read a book (a trashy paperback) at a table outside a coffee shop. A shop that was right next to a minor side street. There I was, trying to settle into my book, when a diesel truck drove by, brrrrruuuuuummmmmmmm….. kachunk! clank! kch-bruuuuuuuuummmmmm…. spitting out a great, filthy cloud of black smoke as it went. I looked around, as this cancer cloud wafted over me, and saw that I was apparently the only one bothered by this. We’ve become so used to this that we don’t even notice how awful it is.

And then, a Tesla drove by. Absolutely silent. Zero emissions. I breathed a sigh of relief, knowing that this is the future. Soon, the internal combustion engine will be a barbaric relic of the past, and we’ll wonder how we ever put up with it.

Another thing I hate about engines: They break. They break a lot. It’s amazing they don’t break more often. It’s basically a little bomb going off six times per second inside of a little tube, and the explosion lifts a piston that powers your car. That, in and of itself, is pretty simple. But then everything else about an engine, probably two thirds of the mechanisms in the engine compartment, are simply designed to prevent the engine from ripping itself apart, which is what it really wants to do.

It’s a giant, insanely complicated Rube-Goldberg contraption to manage the craziness going on, from the split-second choreography of valves and cams that prevent the cylinder from turning into a pipe-bomb, to the coolant system constantly shunting away excess heat to prevent the whole mess from melting down, to the lubrication system that keeps it all from fusing solid…and then it’s all strapped to a big tank full of the explosive liquid it needs in order to live…well, you get the point. The point is, I hate engines.

Now let’s compare this insanely complicated contraption (an amazing feat of engineering, don’t get me wrong) to an electric motor. Even the most simple gas engine is a miniaturized version of the above-mentioned shit-show. A chainsaw, for example. It’s a bitch to start. It needs coaxing and tweaking and constant maintenance. It’s loud and cranky and smelly. It breaks down a lot. And then let’s look at, say, an electric blender. When was the last time you had to change the oil on your blender, or adjust the valve clearance or change your spark plug wires? How many moving parts does a blender motor have? One. There’s a stator (it’s static) and a rotor. (it rotates.) That’s about it. I’ve had the same blender for ten years.  I bought it at a thrift shop, and it’s never given me any trouble at all.

This is really what excites me most about the prospect of an electric car. I mean, sure, saving the planet is cool. Paying a fraction of what gas costs to charge your battery is pretty sweet. But I’m mostly excited about cars that are simpler, quieter, and cleaner. Granted, a Tesla is a bit more complicated than a blender, but still.

With an electric engine you don’t need a coolant system. You don’t need a lubrication system. You don’t need a transmission or an exhaust system or a catalytic converter or a muffler. You don’t need to rattle the fillings out of somebody’s damned head with your engine braking and choke them with your fumes while they’re trying to enjoy a nice goddamned cup of coffee al fresco. An electric car, more or less, is just a big battery hooked to a big electric motor. Just a bunch of electrons silently shuffling around.

Of course, what would excite me even more is not needing a car at all. I love the freedom, I do. It’s great being able to go wherever, whenever, in my private motor-driven coach. It’s the god-damned American Dream. But I hate, I bitterly resent the fact that I need one.

In most places in America, it’s almost impossible to live without a car. And that sucks. Cars are ridiculously expensive. The maintenance is a pain in the ass. Insurance is a drag. They’re dangerous. They get stolen. They crash. They break at the worst possible time. And yet, living as I do in a country designed for cars, with pedestrians as a distant afterthought, in most places they are an absolute necessity of life. They’re such an absolute given, that most people never even consider that there might be a better way. I swear to god, it’s like we’re all in abusive relationships with our cars.

Growing up in a rural area, (where it was a thirty minute drive to the nearest grocery store) I’ve always had a bit of a city-phobia. It hasn’t been until very recently that I’ve spent enough time in a real city to appreciate the advantages (besides the advantage of actually having something to do). Being able to walk places. Available, affordable public transportation. Sidewalks. Taxi cabs. The possibility of being able to do without a car entirely.

Someday, that will be the case everywhere in America. Someday we’ll have actual public transportation. Someday we’ll stop designing new cities like cars are the primary residents. Someday our passenger rail system won’t be an overpriced joke. Someday we’ll be able to use our smartphones to summon a self-driving Uber to take us where we want to go. Someday there will be no reason to spend six months pay on a giant, overcomplicated money-pit of a contraption just so we can haul our groceries home.

But until then, oops, I’m about due for a new set of tires.

What’s wrong with pulp? Nothing, that’s what.

The Brothers Karamazov broke me. It straight-up broke my will.

Before that point, in my early community college days, I fancied myself as a young literati in the making. This was years before I ever had the courage to put pen to paper and transfer stories from my brain to a physical medium, but I still had this vision of myself as a man of letters, a cultured, educated person, with a deep understanding of Shakespeare, able to quote Montaigne or Kafka, sitting in some corner cafe and sipping a cappuccino while I read Sartre. Then that artsy girl sitting over by the wall would notice me, dammit!

This is why I thought I needed to read The Brothers Karamazov. I mean, I was smart. I was a reader. I’d gotten through the unabridged Hunchback of Notre Dame. I’d read Celine and Conrad and Heller and Huxley. I gritted my teeth and finished Dostoevesky’s other much-celebrated wall of text, Crime and Punishment. Surely, I would enjoy this famous, well-known, important book, right? Wrong. Good god. I gave it a try, I really did. But I’ve read more engaging soil-science textbooks.

The funny thing is, as a writer, I never wanted to be great. I’d like to be good, sure. I’d like to be entertaining. But it’s never been my goal to be profound or brilliant. Tough talking detectives. Dangerous dames. Vampires, zombies, spaceships. Dinosaurs. Vampires fighting zombie dinosaurs in spaceships. My inner world has always been sleazy and pulpy. Adventure and escapism was what sparked my love for reading in the first place. So why, now, was I turning my back on my first love for this stodgy old bitch of a novel?

And that’s the thing I realized, sitting on that bench outside the library at the community college, as I slogged through page after page of Fyodor Dostoevski’s seminal doorstop. I realized, I’m not enjoying this at all. I realized I wasn’t doing it because I liked it. I wasn’t doing it because I was gaining knowledge or insight or context or appreciation of the world. I was doing it to feed my ego. So I could be that smart guy. So I could look down on the uneducated rabble and laugh snootily. “What’s that you’re reading, Stephen King? Oh my word, how very jejune…”

That same day, I dropped The Brothers Karamazov, with a weighty thump, into the library’s book return. And I checked out a dog-eared paperback copy of Stephen King’s The Stand.

Since then, my primary judgement of “good book” or “bad book” are the simple questions: Do I give a shit? Do I care what happens next? Do I want to turn the page?

Now I’m not saying that there isn’t great literature out there to be had. Steinbeck and Hemingway were both writers who will practically bash you over the head with their brilliance, yet their stories are entirely readable. I want to turn that page. And even popular authors have gems of wisdom and insight hidden within their pulpy adventure stories. It’s like they can’t help it. The greatness just oozes out, somehow. Nelson DeMille is a perfect example. His bread and butter is writing airport-bookstore paperbacks about terrorists blowing up New York or whatever, and yet if you read The Gold Coast or Up Country, you’ll see soul-baring storytelling that approaches brilliance. The same with Philip K. Dick. It’s like he was trying to write pulp sci-fi, but somehow wound up with philosophy. Dashiell Hammet and Raymond Chandler, in their day, were considered cheap trash writers. And now they’re classics.

Now, don’t let me stop you from trying out Dostoevski. He is still in print after 150 years, and I guess that has to mean something. Just because it wasn’t for me, doesn’t mean it won’t be for you. The point is, you don’t owe a book a damned thing. If you don’t feel like it’s grabbing you, if you don’t give a shit and you have no desire to turn the page, kick it to the curb and go find something you do like. Even if I wrote it. Even if you’d be embarrassed if that artsy girl in the cafe saw you reading it.

 

The Funny Thing About Idols

 

Sometimes you build up a picture in your head, and then reality doesn’t quite match up. Most of the time, in fact.

I play a little guitar, and when I first heard Townes Van Zandt fingerpicking, the first time I heard his lyrics to “Lover’s Lullaby” or “Rake” I said, “That’s what I want to do.”

I have to add, he was a country singer who had been around since the sixties. Sometimes his voice cracks and gets annoyingly twangy. The quality of his vocals vary widely. Sometimes the seventies country musicians they surrounded him with in the studio sound horribly, ridiculously dated. But when you dig down to the essence of it, the man’s lyrics and his voice and his hands on his guitar, he was, in my humble opinion, a genius.

But I didn’t know anything much about the guy for the longest time, aside from album art and his music. He’d passed away a few years before I’d discovered him, but I built up this picture of him in my head as a successful singer-songwriter, probably living a quiet life in Nashville, a sort of a country-western Bob Dylan, probably with a loving wife and a few kids and a small fortune from a lifetime of musical success.

Then I saw the documentary made about him, Be Here to Love Me, and all of my illusions were shattered. Despite his lyrical gifts, Townes Van Zandt was a congenital fuckup. (Though that sounds overly harsh, given that mental illness was likely a factor, it can’t be debated that he fucked up with a shocking regularity.) A lifelong alcoholic and drug abuser, the man was addicted to everything it’s possible to be addicted to, from cigarettes to shooting heroin. He once glued a tube of model cement to his front teeth when he passed out while sniffing glue. He wrecked three marriages, and when his much-abused body gave out at the age of 52 he was nearly penniless. The bulk of his physical possessions were a motorcycle, a GMC truck, and a 22-foot boat.

And yet, his music is still beautiful. I don’t know why I thought all his lyrical tales of loneliness and despair and addiction were just some sort of fiction, some phase he’d grown out of before finding success, I don’t know. Maybe that’s what I wanted to believe. It’s a strange thing to find that he’s someone to be pitied, someone to look down on as much as someone to look up to.

But that’s the way it goes, isn’t it? I guess that’s growing up. Everyone, sooner or later, discovers that their parents are just flawed human beings, that they don’t have all the answers. And so it goes with our idols. Kurt Cobain. Hunter S. Thompson. Bradley Nowell.

For my own part, as I get older, I’m still learning from my idols. But I’m learning different things. When I was sixteen, Hunter S. Thompson’s work was an instruction manual. How to be a high-octane mutant drug-fiend that takes life by the horns and forges his own destiny, and nevermind what the squares think.

But now, Hunter’s life and work, much as I love the man, is a cautionary tale. Despite his success, he was a lifelong alcoholic. He was a violent and erratic drunk who could be cold, abusive, and downright cruel to his friends and family. He was, by all accounts, an unreliable horror to work with. When he got tired of it all, he shot himself in the head while his six-year old grandson was in the other room. His success was more due to shit dumb luck, a winning of the cosmic lottery, than any of his personal qualities. Hundreds of people who attempted to follow his example are now dead or serving prison time in Nevada.

And yet, does this mean I don’t enjoy reading Fear and Loathing in Las Vegas for the umpteenth time? Does that mean I don’t want to listen to Townes singing “To Live is To Fly?” Of course it doesn’t. Maybe I enjoy it more. Maybe when we can see our idols as fully fleshed human beings, imperfect, damaged human beings…hell, I don’t know. I don’t even know what I’m trying to get at here. After all, I’m not perfect.

 

 

What’s your motivation?

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This is just a silly little thing I got from a fortune cookie a long time ago. I liked it enough to go to the thrift shop and get a little frame for it, and now it stands on my desk next to my Boba Fett pencil-holder mug and my little handwritten note reminding me that “its” is possessive and “it’s” is a contraction.

So, what’s your motivation? Do you have any silly little things laying around your house, reminding you to keep at it?

Short Story-Space Kitten

“What is it?” said Karen, staring at the blips on the radar screen.

“I don’t know,” Tom responded, the color draining from his face. “Some kind of deep-space radiation storm. But not like any I’ve ever seen.”

Boots, the new ship’s cat, jumped up onto the navigation console and strutted between Karen and the screen. She batted at the moving radar blips with her tiny paws. “Not now, Bootsie,” Karen scooped the cat up and deposited her on the ground. To Tom, she said, “Can we divert?”

Boots, insulted, sat and licked her paws.

“It’s too big and moving too fast. It’s coming right at us.” Tom read the displays for another second, scrolling through the data with one finger. Boots jumped back onto the console and rubbed her whiskers against Tom’s finger, closing her eyes and purring madly.

Tom shoved the cat out of his way. “Karen, I need to you go to the engine room and shut off all the manual breakers, so maybe this thing won’t fry our electronics. If it doesn’t kill us, at least we’ll have a functioning space ship.”

“I’m on it.” Karen rose up out of her seat and sprinted towards the cockpit door—and nearly tripped on the kitten that twined between her legs. She stumbled, stepping over the cat, and ran down the corridor.

The cat trotted behind her. “Meowp? Mroop? Mewp?”

Karen wrenched the breaker box open, ignoring the lid that clattered to the floor, making Boots jump. She frantically threw switches and pulled fuses out of their sockets. The fuses littered the floor of the engine room. One by one the ship’s systems shut down. The lights went out. The vent fans went quiet.

Boots batted a fuse down the corridor, then, after a butt-wiggling pause, chased after it.

One final breaker, and the artificial gravity shut off. Karen’s feet rose off the floor. Bootsie twisted around as she floated, still trying to get at the fuse.

“Here it comes!” Tom yelled down the corridor. “Hold on!”

The ship rocked violently. Green lightning shot across the engine room, showering sparks wherever it touched the metal bulkheads. There was a sound like the crackle of high-voltage wires. The overhead lights lit up of their own accord and pulsed a pale green. One of the lighting panels shattered and showered Karen with clear plastic shards.

Tiny green bolts of lightning shot from Karen’s fingers. Her teeth ached. She felt a rising warmth in her chest. The very air seemed to glow green. She screamed.

Boots howled.

In the cockpit, Tom hunched over, holding his belly, and gritted his teeth. his hair stood on end.

One more brilliant flash of green lightning, and it was over. The ship was quiet.

Karen replaced the fuse in the gravity system and sank gently to the floor as she eased the slider up to one g. She turned on a few more essential systems, then stumbled up to the cockpit while Boots, looking dazed, followed along behind her. “Are you okay?” she said to Tom.

“I think so,” he said, scrolling through the system diagnostics. “It’s crazy, but it seems like that storm…it seems like it didn’t do anything at all!”

Boots jumped up onto the console. The cat said, “You know, I’m actually not so sure about that.”

 

That One Time When I Almost Took a Shower With a Bear

Now, I know that Craigslist is chock-full of opportunities to take showers with a bear. But I mean an actual, big, hairy, bear. No wait, I mean, a grunting, rotund…crap. I mean Ursus americanus californiensis. A real four-legged bear.

stelprdb5396801I live in Northern California, in the shadow of the Sierra Nevada mountains. One of my great joys in life is getting out into the wilderness and going camping. Also some of my fondest memories. Ever since I was a little snot, my parents would take me and my brother out in the woods for at least a week every year. The crisp chill of the morning air, the burble of a tiny mountain stream, the breeze whispering through stands of Jeffrey pine and Douglas fir, the scent of pine needles and campfire smoke…dang it, I need to go camping.

Anyway, where was I? The only thing better than camping is camping with hot showers. Our favorite campground had wonderful, wonderful bathrooms. (My readers who are camping enthusiasts have no doubt seen and smelled some vile, horrible bathrooms, and will appreciate the simple joy of flushing toilets and hot water.)

I do love backpacking and the more pure forms of camping, I know what it’s like to go a week without a shower or a real bathroom, but good Lord. How wonderful a thing, to go out hiking all day, fishing, playing in the creek, doing camping things, getting filthy and sweaty, then being able to take a scalding hot shower until your skin pinks and then go off to your sleeping bag freshly scrubbed.

black-bear-dining-out_NPSIn fact, the only downside to this little slice of campground heaven was the bears. Once they lose their fear of humans and learn that campgrounds are chock full of tasty tasty human food, it’s game on. My family had the unique experience of being there when this particular campground’s bears figured out that fact. One summer it was okay to leave your ice chest out, the next summer it very much was not.

People adapted pretty quickly. It didn’t take very many dismantled ice-chests before campers started leaving their food in their cars. The park rangers made sure to pick up trash before dark. But still, it was a bit unnerving, these roaming gangs of bumbling assholes wandering down from the hills every evening, going from trashcan to trashcan. In the middle of the night, you’d hear a clang! as a trash can went over, then a few minutes later you’d hear another.

All in all, black bears are pretty docile. A loud noise usually scared them off. Like so many giant, lurking, vague, hairy 300 pound threats in life, you just learn to live with it. They were really nothing much to worry about.

But try telling that to a naked thirteen year old in a shower.

There I was in the late evening, the only one in the bathroom, enjoying a nice hot shower. The shower stalls were private. Sort of. There was like a public bathroom type door, with a flimsy latch and a one foot gap between the door and the floor. A psychological barrier only.

shower-feet1So I was taking my little shower when I thought I heard something. It was a public bathroom of course, people go in and out. But Something was odd. I stood still, straining to hear over the spatter of falling water. Yes, I heard something. A snort. The click of nails on a tile floor. I crouched down and peered under the door of the shower stall. And what did I see but four black bear paws, claws the size of ballpoint pens, standing there not ten feet from where I crouched, naked and wet and alone.

The bear paused, becoming aware of my presence, then continued on. Click-click. Click-click. Snort. Snorfle-snark snort. Grunt. WANG! KA-WHAM! CLANG! The bear had found the metal trash can in the corner of the bathroom, and sent it ricocheting around the room with one casual swipe of his paw. Wrappers and used tissues and strands of dental floss sprayed across the floor. I still stood, crouched in the shower, the hot water still spraying down on my back. The bear sniffed his way through the wreckage, gave the trash can one more thump, snorted again in my direction, and walked back out the door.

Being the brave sort that I am, I only hid in that shower for another forty-five minutes.

 

 

Special Effects Fatigue: When I know there must be a reason why that monster is punching that other monster, but I just don’t care anymore

I went and saw Batman vs. Superman the other day. Altogether, not as bad as I’d feared. But still not that great. And here’s the problem.

I’ve been noticing a peculiar thing lately, while watching summer blockbuster popcorn type movies. So often, I just stop caring. At the climax of the movie, the part that’s supposed to be the most exciting, I just go numb. My eyes glaze. I just want it to be over so I can check my email.

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Too much punch.

And it’s not because there’s not enough action, it’s because there’s too much action. The most recent Godzilla movie was a particularly egregious example. The special effects were top notch. The cast was great. The production design was perfect. It all felt really…real. The feel of the originals with modern production values. But it was just too much. The first time the bad monster thing punched Godzilla through a building, it was super awesome. And the second time. And the third time.

Then it happened again and again and again, neither Godzilla nor the other monster suffering any visible damage. I had zero emotional connection to either giant monster. It got boring. This epic battle had all the dramatic tension of a six year-old banging two action figures together. By the end, I was just amazed that they could find any more buildings to smash each other through.

Same thing with BvS. Affleck was great. Henry Cavill was great. Everyone was great. The production design was perfect. Everything that went wrong, went wrong behind the camera and in the editing room.

GODZILLA
Too many smashing.

I mean, think about it. When you can use millions of dollars worth of top-notch special effects to make a photorealistic Godzilla smash a giant bug-thing through a photorealistic skyscraper, and make people not give a shit that it just happened, something is very wrong.

And it seems to be happening more and more. I can remember feeling this way back during the Matrix and its sequels, watching Neo and Agent Smith take turns punching each other for 45 minutes. Batman vs. Superman was another offender. I felt like I was watching a .gif repeating.

I took a martial arts class a long time ago, and I remember the instructor saying that if you hit in the same place too many times, it would just go numb and your strikes wouldn’t really have any more effect. This is kind of how I feel in modern monster movies. Like I’m just getting punched in the face for 45 minutes. All the damage you can do has been done, and now I’m just thinking about what I’m going to have for dinner.

I think it all comes down to pacing. Scary movies are good at this. The tension. The slow, gradual buildup. Then a little faster. Faster still. Faster. Climax! Then they dial it down a little, let your nervous system JUMP SCARE! recover. Then it calms down again, for a while. If you really pay attention to it, the pattern gets a little repetitive. But it works, because the filmmakers understand that they’re playing a psychological game with you. They take their time building the tension and they hold a little something back, which makes it all that much more satisfying when you finally get it.

Far be it from me to make a sexual comparison, but…well, you gotta work up to it. Most of the time. I mean, I guess sometimes it works. Fury Road was like the movie equivalent of a lust-crazed quickie in the supply closet at work. But the operative word there is quick. Keep that up too long and there are cramps, chafing, co-workers start to wonder where you are… I digress.

Anyway, Fury Road came on fast and hard, but it still had great pacing and emotional content that made you care about what was happening on the screen. Not so Batman vs. Superman. When two (or more) invincible things take turns punching each other across the city for fifteen minutes straight, past a certain point…well, perhaps the director is engaging in another kind of sexual act. The kind you can do all by yourself.